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Philomela Eva Terwey
PIANO

When you see her, you know what she is capable of, as the young pianist has a potential seldom found nowadays. Influenced by her artistic upbringing she developed an interest in classical music at an early age and soon discovered her love for the piano.

The young pianist Philomela Eva Terwey has a potential seldom found nowadays. Influenced by her artistic upbringing she developed an interest in classical music at an early age and soon discovered her love for the piano.

She received her sound training with such musical greats as Homero Francesch and Dame Moura Lympany. Yvonne Loriod-Messiaen and Paul Badura-Skoda were also stimulating her talent.
At her performances throughout Europe, both as a soloist or as duo with her sister and also with well-known orchestras, in Zurich (Tonhalle), Basel, Bochum, Hamburg, Dusseldorf (Tonhalle), Bogotá (Teatro Roberto Arias Perez de Colsubsidio), Rome (Teatro Ghione), London (St. John's Smith Square), Valencia (Palau de la Música), Festival Sommets Musicaux de Gstaad, Festival Semana Musical Llao Llao Argentina, International Music Festival Castle Weilburg, Music Festival W estern Brabant, Bagno Konzertgalerie Steinfurt, the Netherlands, Switzerland etc… she enchants her audience again and again.

In 2009, Philomela Eva Terwey will reappear as soloist as well as a duo with her sister at the Palaú de la Música Valencia/ Spain, at the Teatro Bogotá, at the Festival Semana Musical Llao Llao Argentina, at the Festival Bravissimo.
She will also be touring Latin America (Teatro Colón Buenos Aires, Cali, Medellín, Mexico City, Monterrey, Zacatecas, Aguacalientes, Toluca, Guatemala City, Antigua, Salta, Rosário, Callao…) and presenting a special Terwey-Mendelssohn-Jubilee-Project with the local orchestras i.e. Orquesta Filarmónica de la Ciudad de México, Orquesta de Guatemala (Richard Pittman), Orquesta Sinfónica de Aguascalientes (Ramón Revueltas) etc.

Philomela Eva Terwey "shows herself to be an excellent musical and virtuoso chamber music partner." (Amberger Zeitung)

Her performance is contrast with calculus, elegant, sensitive and emotional, also powerful, sovereign and full of inspiring charm – which thrills the audience. She always stays loyal to herself which in particular makes her so unique.
During the process of interpretation, her passioned interest in litterature, arts, opera, Liedgesang and ballet let her face the aesthetics of the compositions having a commanding knowledge.
She is an interpreter, who always becomes one with the spirit of the composer and convincingly succeeds in realising what she is feeling.

Terwey Duo